Services that turn ideas into stage reality
I don’t work with prefabricated formulas. Each service is tailored to the specific needs of your project, whether large or small, artistic or technical.
Services that turn ideas into stage reality
I don’t work with prefabricated formulas. Each service is tailored to the specific needs of your project, whether large or small, artistic or technical.
Artista de Circo en Escena
I take to the stage with over two decades of technique, stage presence, and communication skills honed performance after performance. My work as an artist is not just about executing a discipline: it’s about creating a moment the audience will never forget.
I adapt to the context of each event, from major international festivals to intimate venues, private evenings, or long-running productions. The act can be a standalone performance or integrated into a larger show, always with the same dedication and professionalism.
“A circus artist doesn’t just do the difficult. They make the difficult seem inevitable.”
I work with a wide range of circus and performing arts disciplines, with the ability to create entirely new acts or adapt existing ones to the specific needs of the client, the venue, and the target audience.
If you’re looking for something that surprises, that moves, that leaves a lasting impression, let’s talk.
Performances at festivals, corporate and cultural events
Newly created circus acts tailored to specific needs
Integration into larger-scale shows as a guest artist
Stage presence at parades, ceremonies, and opening/closing events
Workshops and demonstrations for schools and businesses
Production
Creation and Production of Shows
Construction of Scenography and Props
Construction
I build what shows need to exist. From the structure that holds an aerial act to the most delicate prop a character holds in their hand. I have the technical training and practical experience to make scenic objects safe, functional, and visually powerful.
What differentiates me as a builder is that I’m also an artist. I know what an act needs from the inside: the exact resistance, the measurement that facilitates the technique, the aesthetic that reinforces the message. I don’t build for it to look good on a sketch—I build for it to work on stage.
“The best prop is the one the artist forgets they’re using, and the audience never forgets they’ve seen.”
I work with both professional companies that need specific elements for their shows and event organizers who require unique, impactful, and safe scenic elements.
- Circus apparatus and aerial acrobatics equipment fabrication
- Scenography and structures for theater, street, and non-conventional spaces
- Character, functional, and decorative props
- Adaptation and repair of existing materials
- Technical advice on safety regulations for scenic apparatus
- Installation setup and supervision for performances
Production
I accompany the show from when it’s just an idea—sometimes not even that—until the curtain falls after the first performance. This is where all other aspects of my work converge: artistic knowledge, technical vision, and organizational skills.
I understand show production as a creative process in itself. Every decision—artistic, technical, economic—is at the service of the proposal and the audience. I get involved at the level each project requires: I can take complete artistic direction, assume executive production, or join at a specific phase where I’m needed.
From dramaturgy to the social media trailer, I see the show as a global project that must be built coherently.
I have produced contemporary circus shows, physical theater, street performances, and large-scale formats for outdoor spaces. Each with its own logic, resources, and audience.
- Artistic concept development and dramaturgy
- Production planning and management (timelines, budgets, teams)
- Coordination of artistic and technical teams
- Rehearsal direction and staging
- Executive production for distribution and touring
- Advisory services for companies on new creation projects
